Tag Archives: Brief

Project Proposal

MA LA, Alice Bouttell 3rd edit

Course MAMIS

Name(s) Alice Bouttell

Unit

Date Part-time

NB For collaborative projects please complete a single Learning Agreement, clearly identifying the names and roles of all external or internal collaborators.

Section 1: Description of Project

What are you proposing to do? Why are you doing it? What do you intend to submit?

Give references to methods, research and practices that contextualise your project (including texts, images, artists, designers, etc). For collaborative projects, give details of each person’s role in the project. (max. 500 words)

My final masters project will focus on coastal erosion.

I’m inspired by the recent storms hitting the North Norfolk coast, the floods around the country and the impact this has on daily life. I have been looking at Happisburgh, a seaside village in Norfolk, the land of which has emerged gradually over time and is rapidly disappearing back into the sea.

I intend to explore the many aspects which this event effects: community, politics, history, environmental and sentimental. From this I will make an animation that reflects the subject in an entertaining and thought provoking way.

Happisburgh is a fascinating example of natural land erosion. More of it washes into the ocean each year and the government have decided not to take action due to the estimated lack of economic return. It is home to a 500 year old church and a reputable pub, which is the hub of the community. The locals are resolute about staying in despite the increasing loss of distance between sea and land. Happisburgh has made news on several occasions after storms have revealed dinosaur bones in the cliff and some of the world’s earliest footprints in the fossilised clay bed on the beach. It is a part of East Anglia which is very new in terms of history.

I feel that Happisburgh is a good example of many areas of the UK facing similar fates, especially after the recent storms and floods. I want to use its rich history to inform a thoughtful animated film.

I have been looking at the work of Emma Calder of Pearly Oyster Productions who has been commissioned by the Norwich Castle Museum to create an historical animation about Boudicca as well as an environmental short for MTV. Her work is informative, charming and funny. She uses a mix of 2D illustration, collage and models in her animation which makes it tactile and playful. The film I will make may be used in similar contexts and purpose as Calder’s.

As part of my research methodology I am going to visit Happisbugh and talk to the residents about their personal experiences, opinions and reasons for remaining in what seems like a doomed habitat. I want to balance this by talking to professionals in the environment sector and question how and why decisions are made to do with coastal erosion. This will inform the content and context of the film. I will record interviews and vox pops.

Sound recordings will be included in the research for this project. Clips of the sounds of waves, stones and seabirds will all build an electro-acoustic soundscape of the environment and play a part in the narrative.

Aesthetically I will be looking at the work of the Norwich painters. Artists such as Cotman, Ladbroke, Stark and Bright recorded daily life in rural areas of East Anglia as an alternative to the portraits of dignitaries and royalty, indicating a shift in current concerns at the time. It is their ability to capture the drama and awesome wrath of the weather as it hangs over the ordinary peasants who go about their daily business that I find compelling and want to include in my work.

I will use some of the techniques I’ve used in my MA work up till now including rotoscope and more experiential material, which uses objects and matter from the subject site. A sense of the haptic is an important feature.

Section 2: Learning Outcomes

Explain how your intended submission for the unit will demonstrate that you have met EACH Learning Outcome.
  1. Identify and apply concepts and principles associated with your subject to a range of contexts and environments.

A film which addresses social, political, environmental and sentimental effects of coastal erosion. It could be used for education, awareness of current issues, museum exhibition.

  1. Employ appropriate methods, processes and materials to produce experimental and finished work relevant to current practice in your area:

An online blog of research into relevant practice and contextualisation, showing how I’ve tested technical and aesthetic processes. Making film clips, sound recording clips, photography and drawings after examining and analysing the work of others.

  1. Examine complex problems in your area of study and articulate a range of solutions:

Use my blog for reflection on issues and solutions including: organising time and tasks in efficient order of production; decisive action; changes of course if something doesn’t work.

Finishing with a critical evaluation which looks at the project and resulting film as a whole.

  1. Evidence your understanding of contemporary practice and the creative industries relevant to your subject:

Collecting research into documentary, educational entertainment, museum exhibition, artists and animators whose work is focused in these areas and including them in my blog of research.

Contextualising my work and comparing it with the work of others in my evaluation.

Section 4: Resources and Schedule

Provide a plan outlining your project schedule and indicating resource requirements where applicable (this may be attached as a separate sheet).

Thursday 6 Mar 14 Independent Study

Thursday 13 Mar 14

Deadline for submission of FINAL Masters Proposal 10.30 – 12.30 DS3 Group Critique

Thursday 20 Mar 14 10.30 – 12.30 DS3 Group Tutorials with course unit tutor (2 groups)

Research trip to Happisburgh with Photographer Erin Patel. Take vox pops and record sounds of the locality

Thursday 27 Mar 14 10.30 – 12.30 TR1 Course seminar

Thursday 3 Apr 14 09.30 – 12.30/ 13.30-15.00 SG21 Presentation Day (feedback panel) SH/ All MA staff FT students’ Pecha Kuchas. All PT2 to attend.

7 Apr 14 – 27 Apr 14 Easter Break

Thursday 1 May 14 10.00 – 12.30 SG31 Individual Tutorials with course unit tutor (30 minutes)

Thursday 8 May 14 10.30 – 12.30 DS3 Interim Critique

Thursday 15 May 14 10.30 – 17.00 Lecture Theatre PT2 Presentation Day SH/ MA staff PT2 Masters Projects Work in Progress. All PT2 to attend (optional for FT from 12 midday).

Thursday 22 May 14 Independent Study

Thursday 29 May 14 10.30 – 12.30 DS2 Group Tutorials (2 groups)

Thursday

13 Mar 14

Deadline for submission of FINAL Masters Proposal 10.30 – 12.30 DS3 Group Critique SH Course specific

Thursday

20 Mar 14 10.30 – 12.30 DS3 Group Tutorials with course unit tutor (2 groups) SH Course specific. See VLE, Research field trip to Happisburgh

Thursday

27 Mar 14 10.30 – 12.30 TR1 Course seminar VL tbc (nb T&L day) Course Specific

Thursday

3 Apr 14 09.30 – 12.30/ 13.30-15.00 SG21 Presentation Day (feedback panel) SH/ All MA staff FT students’ Pecha Kuchas. All PT2 to attend.

7 Apr 14 – 27 Apr 14 Easter Break

Thursday

1 May 14 10.00 – 12.30 SG31 Individual Tutorials with course unit tutor (30 minutes) SH Course specific. See VLE.

Thursday

8 May 14 10.30 – 12.30 DS3 Interim Critique SH Course specific

Thursday

15 May 14

10.30 – 17.00 Lecture Theatre PT2 Presentation Day SH/ MA staff PT2 Masters Projects Work in Progress. All PT2 to attend (optional for FT from 12 midday).

Thursday 22 May 14

Independent Study

Thursday

29 May 14 10.30 – 12.30 DS2 Group Tutorials (2 groups) SH Course specific. See VLE

Section 5: Risk Assessment

Outline any potential risks, particularly Health and Safety and/or ethical issues that could affect the project. It is recommended that you seek the advice of your tutor and relevant NUA staff, eg the Health and Safety Officer, before completing this section. Continue on a second page if necessary.

Care to be taken in coastal areas near cliff edges etc. Respect conservation regulations and no trespassing.

Interviews and confidentiality, making sure that correct permissions are sought and applied.

Proper posture when at computer or drawing to prevent RSI or back pain.

Section 5: Tutor’s Comments

Student(s): Alice Bouttell Date:

Course Tutor: Date:

Sound unit brief and response:

Unit brief:

‘This unit encourages you to critique key aspects of the creation and perception of sound in relation to moving images, and aims to provide you with hands-on conceptual and technical skills relevant to the creation of original audio-visual work. Seminars and workshops will cover a number of issues relevant to sound creation and perception. A range of examples will be used to encourage you to explore creative, interpretative and critical approaches to sound and moving image.

Contemporary references will ensure the currency of information and provide you with practical and theoretical input. You should attend workshops introducing the creation, editing, processing, arranging, mixing and mastering of sound during this unit. Historical and cultural contexts of sound creation and perception will be explored through seminars and you will be expected to complete a short original sound work during the unit.’

Aims

  1. To help you acquire, create and interpret subject specific information and knowledge.
  2. To enable you to develop specialist conceptual and applied skills in relation to your subject.
  3. To enable you to identify contextual frameworks essential to an effective and developmental engagement with your  subject.
  4. To develop your professional practice and enhance your awareness of the creative industries relevant to your practice.

What am I interested in exploring?

  • nervous tics
  • sounds made using the body- Body Rhythms
  • using everyday objects to make sounds and rhythms
  • a natural predilection for rhythmic action in people
  • sound creation and communication

Characteristics:

  • non-verbal sounds
  • sounds made without purposed instruments
  • rhythm
  • percussive action

Psychological questions:

  • what are nervous tics?
  • what attracts us to rhythms?
  • why do we each have our own signature rhythms/tics?
  • what do we communicate through them?
  • are there universal rhythms we all understand?

Examples:

  • knuckle tapping with fingers
  • lifting/releasing fingers on table
  • slapping shins when punctuating a sentence or statement
  • tapping a saucepan with a spatula
  • door knocking

How does this manifest in the arts?

  • dance productions
  • physical theatre
  • music
  • films

Examples:

  • Stomp
  • Nunah physical theatre
  • Mics Macs, Jean Pierre Jeunet (the main character communicates with some children through clapping, slapping and tapping)

How will I explore this theme?

  • collecting recordings of people tapping, clapping etc
  • interview dancers
  • film dancers
  • interview people about their tics, why, how etc
  • use recorded sounds and create a soundtrack for a film such as something by Oskar Fischinger
  • compile a collection of foley samples using sounds produced by body rhythms